On this episode we once again return to The Bellows, a monthly informal discussion about theatre production that is recorded in Toronto, this time at Theatre Passe Muraille on November 16th, 2016. Carpenter and Bellows founder Kevin Hutson moderates a Q and A with some of Toronto theatre production's bright lights, with questions poised by the Bellows audience. Taking the spotlight this time are Bellows veterans Remington North and Dave Degrow, as well as Rebecca Hooten and newly minted theatre technician Cameron Kirk. They are asked a number of smart questions about their career in theatre and their thoughts on theatre production, while Kevin makes sure their ego's do not get too inflated.
Kevin is a scenic carpenter, former technician and occasional project manager. He comes from Scarborough and loves talking about work over beer.
Pip Bradford has been working in theatre exclusively since she quit the porn store back in ’07, and she has hated writing bios the whole time. She has production managed for companies around Ontario including Why Not Theatre, Crow’s Theatre, The Theatre Centre, The Lower Ossington Theatre, FADO Performance Art, and Stand-Up Dance, and worked in innumerable capacities for countless others. When Pip isn’t production managing or teaching production management to the young, she makes interactive art pieces with Rebecca Vandevelde for Art Is Hard Productions, including the upcoming Blanket Fort at the Theatre Centre in January 2017. In the spare time left over from her spare time, Pip is one of the hosts of The Bellows, a monthly production artist mixer that fosters community among production peeps in Toronto.
Christopher Ross has extensive experience as a technician, stage manager, and production manager. he has worked in most of Toronto’s independent theatres, and has been a venue technician for the Fringe Festival, the Next Stage Theatre Festival, and the Summerworks performance festival. he is currently the head technician of the Theatre Passe Muraille Backspace.
David DeGrow is a designer, academic, and teacher whose work has been seen across Toronto and across Canada, and has been nominated for three Dora Awards. He is PhD Candidate at the University of Toronto, where his dissertation examines how theatre space shapes artistic mandate, audience and the theatre’s relationship with the city. Selected lighting designs include: Pyaasa (Theatre Passe Muraille/Theatre Jones Roy); Tap-Ex: Metallurgy (Tapestry); Monday Nights (Sixth Man/Theatre Centre); Morro & Jasp: 9-5 (UNIT Productions/Factory); Tagged (Greenthumb/YPT); The Hours That Remain (Gwaandak); the tin drum (Unspun); Dreaming of Rob Ford (Mike Daisey/Crow’s). Recent Production Management/Technical Direction credits include: Salt Baby National Tour (Salt Baby Collective/Globe); Fashion Straight from the Art (University of Toronto/Mirvish); All the sex I’ve ever had (Mammalian Diving Reflex/Luminato); Belleville (Company); Forgiveness (Modern Times); Passion Play (Outside the March/Sheep No Wool/Convergence); Justice (Gwaandak/National Arts Centre); Cafe Daughter (Gwaandak Theatre - National Tour); ZED.TO-Patient Zero (The Mission Business - Nuit Blanche); The Pub Operas (Tapestry).
Rebecca Hooton is a Toronto based deviser, director, production manager, and a founding member of Raw Matter Project.
Cameron Kirk is a recent graduate of Humber Colleges Technical Theatre Production program. He spent the summer of 2016 working at the Blyth Theatre Festival as a Carpenter. Since he's been back in the big city he's been freelancing as a carpenter and technician; picking up calls in various spaces throughout the city and dabbling in the wonderful world of corporate events. Cameron is striving to be a Technical Director but wants to keep his hand in more creative pockets of theatre. Specifically, set and sound design. His set design dabut was at Array Music, with Glass Reflections Collectives 'Bonds Beyond' which premiered on October 27th. Cameron is excited about kicking off his career in the world of theatre and eagerly awaits what challenges and opportunities lie ahead.