On this episode of The Bellows our trusty moderator Kevin Hutson talks with Ian Garrett and Ryan Wilson about what do do with that old set or how to build a more sustainable design. This installment of the monthly production panel discussion was recorded at the Wychwood Barns in Toronto on Oct 24 2017.
The Bellows is Pip Bradford, Rebecca Hooton, Kevin Hutson, Christopher Ross, and Michael Kruse.
Ian Garrett is Associate Professor of Ecological Design for Performance at York University; is director of the Center for Sustainable Practice in the Arts, a US think tank on sustainability in arts and culture; and is the resident designer for the Indy Convergence, an arts accelerator in Indianapolis, Toronto, and Haiti. He is a member of the Performance Studies International Performance+Design Working Group and is the Curator for the US for the 2019 Prague Quadrennial. He maintains a design practice focused on the integration technology and scenography. He was executive producer for Transmission at the FuturePlay Festival in Edinburgh and Future of Storytelling Festival in New York. Other recent creative interactive projects include Theatre Panik's durational performance, Peep, at Scotiabank Nuit Blanche; Erika Batdorf's Micro-theatre for Burnish at the Theatre Centre and Venice Biennale, the set and energy capture systems for Zata Omm Dance Projects’ Vox:Lumen at the Harbourfront Centre, and the geolocated Silo No. 5 on Maria Island, Tasmania. He has worked on installations such as DTAH Architects’ Ravine Portal and on the lighting team for the Crimson Collective’s Ascension, a 150’ wide, origami-style crane sculpture at the 2010 Coachella Music Festival. He serves on the Board of Directors for Associated Designers of Canada.
Ryan Wilson is a passionate artist whose talent, collaborative spirit and work ethic have earned him praise from his peers. Currently the head scenic carpenter at Young People’s Theatre (Toronto), he has worked at numerous theatre companies, including Soulpepper Theatre Company (Toronto), fu-GEN Asian Canadian Theatre Company (Toronto), Factory Theatre (Toronto) and Globe Theatre (Regina, Sask.). As a freelance production manager/technical director at fu-GEN Asian Canadian Theatre Company, Wilson worked on four productions: Ching Chong Chinaman (2013), Brown Balls (2011), lady in the red dress (2009) and Banana Boys (2008). Ryan Wilson graduated with a Bachelor of Fine Arts from Ryerson University’s Theatre School in 2007.