#55 Mara Gottler by Michael Kruse

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My interview with costume designer Mara Gottler is a continuation of my profiles of Vancouver theatre designers from December 2018. Mara and I speak about her early life at the Stratford festival as a tailor and sewer and her move to the National Theatre School, and eventually Vancouver where she is a founding member and resident designer of the west coast Shakespearian powerhouse Bard on the Beach. We speak about her career and her approach to the conceptualization and communication of design. We also speak about the infra-red camera technique established by Robert Lepage to better incorporate front projection video into your production.

Links

Peter Roberts, production manager Stratford Festival

Pat Scott, cutter at Stratford Fest (scroll down page)

Tom Patterson, founder of Stratford Fest

Desmond Heeley

Brian Jackson

Susan Benson

Tyrone Guthrie

Tanya Moiseiwitsch

François Barbeau

Theatre de Nouveau Monde

Erika Hoffer, Tailor at Stratford Fest

Robert Lepage

Saidye Bronfman Centre

Patrick Clark

Iris Turcott

Full House Theatre

Alan Brodie

Christopher Gaze

Miles Potter

Douglas Campbell

R.H. Thompson

Scott Wentworth

Robert McQueen

Stephen Courtenay

Electric Company’s production of Brilliant

The Nightengale by Robert Lepage

Alan Stichbury

Pamela Howard designer

Dior and the New Look

Coriolanus at Stratford directed by Robert Lepage

The Man of La Mancha designed by Debra Hanson

The Natural Way To Draw by Kimon Nicolaides

World Stage Design Expo

#55 Mara Gottler
Michael Kruse




#54 Scott Miller by Michael Kruse

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Scott Miller is a partner in DWD Theatre Design and Consulting based in Vancouver BC. He and I speak about our beginnings in Toronto theatre as classmates at Ryerson Theatre School and proceed to a fascinating conversation about designing your theatre. While this is a program about theatre design, we rarely speak about the actual design of our spaces and all the work that goes into them. Scott spoke to me at his office in Vancouver, BC in December 2018, and this is the first of the series of interviews based on the my trip to the west coast in December.

Please consider supporting us on Patreon.com

Links

Gateway Theatre

Caught in the Act, Richmond BC

Ryerson School of Performance (nee Ryerson Theatre School)

York University theatre dept

Touchstone Theatre

Tamahnous Theatre

Rumble Theatre

The Blyth Festival

The Red Barn Theatre in Jackson’s Point and a Retrospective of the Theatre

The fire that burnt the Red Barn theatre

David Vanderlip

Leslie Wilkinson

Nathaniel Kennedy

Janet Amos

Susan Moffet

Crystal Salverda

Martine Beland

Ray Salverda

Brian Cumberland

Tim O’Gorman

Jason McLean

Janet Amos’ Rural Roots; A Memoir about the Blyth Festival

Kawartha Summer Theatre at the Academy Theatre in Lindsay

Katherine Kaszas

Summer Stock Theatre vs. Reperatory Theatre

Drayton Entertainment

Atlantic Theatre Festival in Wolfville NS

Nigel Bennet

Neptune Theatre

Linda Moore

Bruce Klinger

The Rebecca Cohn Theatre

Buddies in Bad Times Theatre

Steve Lucas

Mermaid Theatre of Nova Scotia

Eastern Front Theatre

Just in Time

Brian Perchaluk

Daniel McIver and Daniel Brooks

Darryl Shaw, head electrician

Charlie Culver, head of audio

Bob carpenter, technical award named after him at neptune

Ron Ulrich

Andy Mawdsley

Theatre Aquarius

The Mayfield Dinner Theatre

Skinny Saints

Phillipa Domville, director

Leigh Kerr

Eddie Candysides, designed by Steve Lucas

DWD Theatre Design and Consulting

Robert Hamilton

Douglas College

The Stanley Theatre

The Chan Centre

Douglas Welch

Vancouver Culture Centre

Queen Elizabeth Theatre

Simon Fraser University Downtown Campus

Vancouver Playhouse

The Arts Club Theatre

Artec Consultants Inc.

Theatre Projects

Theatre Consultants Collaborative

Fisher Dachs Associates

LEAD Canada certification

Battleship linoleum

Masonite controversy scroll down :)

Spiralift video

Rigid chain lift

Four Seasons Centre

Doug Morum

ETC Rigging

Chauvet Pro

Elation’s Fuze

Richard Pilbrow

Alan Brodie

#54 Scott Miller
Michael Kruse

#53 Astrid Janson by Michael Kruse

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This episode a great conversation with legendary Canadian theatre designer Astrid Janson. I joined Astrid in at her home in November of 2018 to discuss her early days at Toronto Workshop Productions and Toronto Dance Theatre and her set, costume, and yes lighting design work in opera and new theatrical works. Please find her complete portfolio at THIS link. and follow along with this key Canadian designer.

We also briefly remember costume designer Susanne Mess who we lost in Janary 2019, and Mallory Gilbert who passed in February.

Please support us on Patreon.com

Links

Toronto Workshop Productions

Toronto Dance Theatre

Atlantis by Toronto Dance Theatre, choreography by David Earle, dancers most likely Cornelius Fischer-Credo and Peggy Baker, however could also be any combination of : Kathryn Brown, Barry (Artis) Smith, Sara Pettitt, Patricia Beatty, Danny Grossman…

Atlantis by Toronto Dance Theatre, choreography by David Earle, dancers most likely Cornelius Fischer-Credo and Peggy Baker, however could also be any combination of : Kathryn Brown, Barry (Artis) Smith, Sara Pettitt, Patricia Beatty, Danny Grossman, Ricardo Abreut, David Wood, Susan Macpherson, Helen Jones, Norey Drummond, Patricia Miner, John Preston, Merle (Germaine) Salsberg. Costume design by Astrid Janson

Roelof Peter Snippe

University of British Columbia

Joy Coghill and the Vancouver Playhouse

Brian Jackson, resident designer at Van Playhouse

John Brockington

Richard Ouzounian

John Grey

Larry Lillo, and a film about his life

Brent Carver

Goldie Semple

A Taste of Honey at UBC, not the same production, but a neat photo

Terminal, part of the Living Theatre tradition by Open Theatre

Much Ado About Nothing - musical at UBC

Susan McPherson

Jim Plaxton

David Earle

Patrica Beatty

Peter Rendazzo

Nancy (Jowsey) Lewis - resident designer at TWP

June Falkner, GM at TWP

George Luscombe

Joan Littlewood

Richard Two-time at TWP

Ten Lost Years at TWP by Jack Winter based on the book by Barry Broadfoot

You Can’t Get There From Here by Jack Winter TWP

The fire at TWP on Alexander St in 1974

CBC Design department and Susanne Mess and some of her designs

The Tommy Hunter Show

The King of Kensington, produced by Perry Rosemond

Home Fires, produced by Robert Sharen and production shots

AIDS crisis in the Arts in Canada

Expo ‘86 Ontario Pavilion and photos of the pavilion by Astrid

Ken Gass

Sholem Dolgoy

HMS Pinafore directed by Leon Major at Stratford Festival starring Michael Burgess

The Cherry Orchard at the Shaw Festival in 1980 notorious

Murray Laufer set designer

John Hirsch

Royal Winnipeg Ballet’s Firebird with Vincent Nabrada choreographer

Lotfe Mansouri, Canadian Opera Company, A Tales of Hoffman directed by Hans Nieuwenhuis

Malibar’s Costume House

Robert Desrosiers’ In Cognito at the Calgary Olympics 1988

Opera Philadelphia

Joe Papp at The Public Theatre in New York and his Stable of Designers

Rusalka with Ben Heppner at COC

Dancing at Lughnasa at the Grand Theatre

The Master Builder at TWP directed by George Luscombe 1983-4

Molly Sweeney directed by Miles Potter at Canadian Stage

Women in Mind directed by Martha Henry at the Grand Theatre London

Sweet Bird of Youth at Stratford Festival starring Martha Henry

From the House of the Dead directed by Dina Bertman

Les Canadians at TWP

The Grace of Mary Travers, directed by Martha Henry, Toronto Free Theatre

Village of Small Huts by Michael Hollingsworth

Shadowland Theatre

U of Toronto Drama Department

Buddies in Bad Times Theatre

Josef Svoboda

Michigan School of Music - Barber of Seville

Jacob Two Two and the Hooded Fang

Harry Frehner

Jacob Two Two and the Dinosaur

Kodachrome Slide Projector

The Waverly Gallery

#53 Astrid Janson
Michael Kruse

#52 Kevin Fraser by Michael Kruse

Lighting Designer Kevin Fraser, photo by David Cooper.

Lighting Designer Kevin Fraser, photo by David Cooper.

Kevin Fraser has been at the Stratford festival for 30 years and designed the lighting for over 500 productions since graduating from Ryerson Theatre School in the late 1970’s. He invited me to his home in Stratford Ontario in August of 2018 and we spoke about his early career and beginnings in Toronto at the Adelaide Court and the Tarragon Theatre and his move into the large festivals including Stratford and Drayton. Find examples of his work here: www.kevinfraserlighting.com.

Please support us on Patreon.com

Links

Frances Mavor Moore and the Mavor Moore Family

Ryerson Theatre School

George Vanier Secondary School

Sandy Black

Jean Charles Black

Sholem Dolgoy

Robert Thomson

Jim Carnright

Dark of the Moon

Canada’s Wonderland

Bjarne Christensen

Theatre Passe Muraille

Maggie and Pierre by Linda Griffiths

Hank Williams: The Show He Never Gave by Maynard Collins directed by Paul Thompson at TPM

Leslie Wilkinson

The Blyth Festival

Adelaide Court Theatre at 57 Adelaide St. East Toronto

Théâtre français de Toronto

Phoenix Theatre and Nurse Jane Goes to Hawaii

Factory Theatre

The Tarragon Theatre

Kim Merchiso (SP?) (york university now)

Urjo Kereda (as a critic)

Farther West, directed by Duncan Macintosh designed by Cameron Porteus

The Shaw Festival

Jeffery Dallas

One For The Pot with Heath Lamberts from the Shaw Festival

Heartbreak House designed by Michael Levine

Harry Frehner

Louise Guinand

Photo-sensitive paper

Stratford Festival: Festival Stage

Stratford Festival: Avon Theatre

Stratford Festival: Tom Patterson Theatre

Soulpepper Theatre

John Neville

David William

Pericles, directed by Richard Ouzounian

Boys from Syracuse, based on Comedy of Errors

Robbin Phillips’ young company at Stratford

Bernard Hopkins

Love’s Labour’s Lost in 1989 at the Stratford Festival

Opera Atelier

Marshall Pynkoski

Theatre Aquarius

Myrthis by J.P. Rameau

McMillan Theatre

Baroque theatre lighting history

Carbon 14

Gerard Gauci

Bonnie Beecher

Pani Projectors

Dido and Aeneas

Drayton Entertainment

Alex Mustakas

Tanya Moiseiwitsch set for stratford current configuration

Original Stratford Stage

SeaChangers

ETC Luster 2

Michael Whitfield

Des McAnuff

Caberet at Stratford Festival in 1980

Changeover at the Stratford festival

Vari-Lite VL1000

Avab moving yokes

#52 Kevin Fraser
Michael Kruse

#51 Glenn Davidson by Michael Kruse

Designer Glenn Davidson

Designer Glenn Davidson

Glenn Davidson sat down with the Title Block in August of 2018 to talk old times and design. Among our topics were included the start of the Toronto Fringe Festival and the Poor Alex Theatre Group as well as his early work as an actor and his most recent design work with the Tarragon, Tafalmusik and beyond. Also, if you don’t know what a “golden donut” is, you will have to listen right to the end.

In the production shots below, I have attempted to include all of the credits that we can find, if you know who is featured in the production shots, or the other designers on the project please email us at thetitleblock@gmail.com.

Please support us on Patreon.com

Links

University of Ottawa theatre program

Maristella Roca

Michael Stevens - NAC

Bob DeMetril

Richard Pilbrow’s Stage Lighting

Sue LaPage

Goodnight Desdemona Good Morning Juliet

The Centre in the Square

Henry V and Mother Courage in rep at NAC, directed by John Wood

Derek Ralston

Joan Orenstein

Loot by Joe Orton at the NAC

Ben Campbell

Edward Atienza

Festival of Classics, Pericles directed by John Wood

Nellie McClung CBC documentary

The Theatre Centre on the Danforth (Now the Music Hall)

Necessary Angel

Autumn Leaf Performance

Buddies in Bad Times Theatre

The Piano of Death by Sky Gilbert

Sargent Trowels Legion Hall on Queen St.

SOC - (silent on camera)

Oresteia, libretto by Maristella Roca

Julie Owens (nee bishop) of Theatre Columbus, now Common Boots Theatre with Martha Ross and Leah Cherniak

University of Toronto Drama Dept

Harbourfront Centre

Daniel Brooks

Don McKellar

Tracy Wright

Andrea Lundy

1492 by Theatre Columbus at the Factory Theatre 1992. Sets and Lights by Glenn Davidson. Photo by Glenn Davidson

1492 by Theatre Columbus at the Factory Theatre 1992. Sets and Lights by Glenn Davidson. Photo by Glenn Davidson

Maquette of He Won’t Come In From The Barn by Ted Johns at the Blyth Festival 1994, directed by Paul Thompson, set and costume design by Glenn Davidson, lighting design by Michael Kruse. Photo credit North Huron Publishing.

Maquette of He Won’t Come In From The Barn by Ted Johns at the Blyth Festival 1994, directed by Paul Thompson, set and costume design by Glenn Davidson, lighting design by Michael Kruse. Photo credit North Huron Publishing.

Pinocchio by Maristella Roca at Young People’s Theatre 1993, directed by Richard Greenblatt, lighting and sets by Glenn Davidson

Pinocchio by Maristella Roca at Young People’s Theatre 1993, directed by Richard Greenblatt, lighting and sets by Glenn Davidson

Pinocchio at Young Peoples Theatre

Poor Alex Theatre

Roger West

Le Groupe de la Place Royale

Raha Javanfar

Crow’s Theatre

Theatre Smith-Gilmore - there was no 4th company to found Poor Alex Theatre Group

The Augusta Company - Daniel Brooks and Tracy Wright’s company

The Hobbit by Kim Seledoy at Young People’s Theatre, directed by Jim Warren, set and lighting by Glenn Davidson. Costumes and actor credit unknown.

The Hobbit by Kim Seledoy at Young People’s Theatre, directed by Jim Warren, set and lighting by Glenn Davidson. Costumes and actor credit unknown.

Romeo and Juliet, by Ballet Jorgen, produced by Hong Kong Ballet, sets by Glenn Davidson

Romeo and Juliet, by Ballet Jorgen, produced by Hong Kong Ballet, sets by Glenn Davidson

#51 Glenn Davidson
Michael Kruse

#50 Dana Osborne by Michael Kruse

Designer Dana Osborne, photo by David Cooper

Designer Dana Osborne, photo by David Cooper

Dana Osborne is a set and costume designer based out of Stratford Ontario. She started out working in some of the top wardrobe shops in the country, including the Canadian Opera Company, the Shaw Festival, and the Mirvish shops when they still owned them. We talk about her transition to design and her work over the last 20 years in Canadian theatre. Find samples of her work at www.danaosborne.ca

To support the show, go to patreon.com/thetitleblockpodcast

Links

Duncan BC

York University Theatre Program

Jason Bendig

Deeter Shurig

Karla Falconbridge

Amy Cummings

Alison Sharpe

Canada’s Wonderland

Peter McBoyle

Norwegian Cruise Lines Performance

Canadian Opera Company

Michael Levine

Hill of bodies show: Igor Stravinsky’s Oedipus Rex and Symphony of Psalms at COC 1997

Jeff Churchhill bootmaker

Cunning Little Vixon, Canadian Opera Company

Sharon Secord

The Shaw Festival

Carol Holland

Christopher Newton

Brenda Clark Lion King Mirvish

Mamma Mia, Mirvish

Kelly Sullivan, seamless costumes

Edge Scenic, gone now, with Bratton surving

The Stratford Festival

Doug Lemke

Michael Gianfrancesco

Lorenzo Savoini

April Viczko

Francesca Callow, on Twelfth night

Peter Hartwell, Good Mother

Katka Hubacek

Aaron Felker

Agamemnon, at Stratford, directed by Steven Ouimette, starring Peter Donaldson and Tom McCamus

Daryl Cloran and Theatre Front produced Mojo

Theatre By the Bay

Rob Thomson

Erica Hassel

Timon of Athens

Ken Gass at Factory Theatre

Tarragon Theatre

Young People Theatre

The Sarajevo Project, by Daryl Cloran and Theatre Front

Amanda Plummer

Cameron Porteus

Ann Curtis

Richard Monette’s Gigi at Stratford

Ken MacDonald and Morris Panych

Charlotte Dean

Moby Dick at Stratford Festival

Donna Fiore

Charlie Brown at Stratford Festival

Fiddler on the Roof at Stratford Festival at 2013

Allen Moyer

Designer Fabric Outlet, Toronto

Rocky Horror Picture Show, Stratford Festival

King Henry IV Part 1 at the Stratford Festival, directed by Richard Monette

Santo Loquasto

Doug Paraschuk

Dream in High Park

David Latham and the Globe Theatre, Regina

Ruth Smilie

The Grand Theatre, London

Jamie Nesbitt

Michael Walton

Damian Atkins

People Places Things

#50 Dana Osborne
Michael Kruse



The Bellows: From Page To Stage by Michael Kruse

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This time on The Bellows we feature a conversation about the genesis and production of Pearle Harbour: Chautauqua, from the spark of an idea to the gathering of the creative team and the final realization in the marvelous 40-seat revival tent installed at Theatre Passe Muraille in October in 2018. A subset of the creative team, creator of the Pearle Harbour persona, Justin Miller, musical director and composer Steven Conway and stage manager Guiseppe Condello discuss the development of a fabulous piece of bouffant theatre and drag performance.

The Bellows Toronto is a collective committed to fostering discussion about all issues concerning theatre production and has existed since 2015. The Bellows is Pip Bradford, Rebecca Hooton, Kevin Hutson, Christopher Ross, and Michael Kruse.


The Bellows: From Page To Stage
The Bellows

Bios

Giuseppe Condello

Stage Mananger for Pearle Harbour. Guiseppe is a Toronto based stage manager, theatre technician and budding lighting designer. He has managed stages for Canadian Rep Theatre's remount of TOUGH! (2016) and Dreams (2016) by Wajdi Mouawad. As lighting designer, Giuseppe lit the stage for the world premiere of George F. Walker's Damage Done (2016), and more recently, The Beckett Shorts (2017) for director Adam Paolozza. Giuseppe has been Pearle's stage manager since the very beginning, and has become her good luck charm.

Steven Conway

Steven's teaching philosophy is that effectively communicating enthusiasm is the best way to inspire it in others. He is thrilled to have the chance to share his love of music with Rainbow Songs students.

Trained for 10 years in piano and theory at the Royal Conservatory of Music, with a background in choir, musical theatre, and improv, Steven is also self-taught in a variety of instruments, and is constantly seeking new ways to expand his musical vocabulary.

After completing his Master’s degree in Theatre and Performance Studies from the University of Toronto in 2015, Steven has performed in musical ensembles across the city, and continues to work as a musical director, accompanist, and composer within Toronto’s independent theatre scene.

As a member of the Rainbow Songs team, Steven is eager to facilitate learning, community, and joy through the love of music.

Justin Miller

Artistic Director for Pearle Harbour. Justin is a queer, Toronto-based theatre artist. As a creator, his work explores bouffon, clown, drag, and the writing that can be magnified by those styles. As a writer, he's the author of seven full-length shows in the Pearle Harbour series. As an actor, his work has been called "riveting" (NOW) and "a tour de force" (Stage Door). He has won the Audience Choice Award at SummerWorks; nominations include the Dora Award for Outstanding Male Performance, and Outstanding Solo Performance by My Entertainment World.

Pearle Harbour

An all-American gal who's sweet-as-pie and sharp-as-nails, Pearle Harbour was born on [information withheld], when America was still Great. During the War, she served as a stewardess aboard top-secret bomber missions, including [information withheld], and even [information withheld]!

An accomplished soloist - on the boards and in the sheets - Pearle has played to audiences at The SummerWorks Performance Festival, The Second City, Buddies In Bad Times Theatre, Theatre Passe Muraille, The Theatre Centre, Toronto Sketch Comedy Festival, Opera5, Videofag, The Comedy Bar, The Wrecking Ball, Pressgang Storytelling, The Gladstone Hotel, and countless cabarets, concerts, and clubs across Canada.





#49 Jamie Nesbitt by Michael Kruse

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Jamie Nesbitt is a Vancouver based projection designer and we caught up in June of 2018 at the Shaw Festival where he was designing The Hound of the Baskervilles. Jamie and I talk about the start of his career at the end of the slide projector era and the transition to the full integration of video projection into modern Canadian theatre. Find his portfolio at www.jamienesbitt.com

Please support us on patreon.com

Links

Studio 58

The Electric Company

Tim Matheson

Pi Theatre

Studies in Motion by Kevin Kerr at The Electric Company

Robert Gardiner from UBC Theatre

Isadora created by Mark Coniglio

Green Thumb Theatre

Cahoots Theatre

Canadian Stage

Eadweard Muybridge

Crystal Pite

Kim Collier

Frost Nixon at Canadian Stage, designed by Patrick Clark

Mean Girls video designed by Finn Ross and Adam Young

Rocky Horror Picture Show, at Stratford Festival

Michael Walton

Arcade Fire tour 2018

QLab

Photon projection software

Adobe Illustrator

Adobe After Effects

Trapcode Particular

The Hound of the Baskervilles, Shaw Festival

Arther Grimshaw, British painter

Dana Osborne

Digital Rights Management in Canada

#49 Jamie Nesbitt
Michael Kruse


The Bellows: Unions and Other Associations by Michael Kruse

The Bellows logo.jpg

Its time for another presentation of The Bellows! This time a discussion with stage manager Megan Speakman, stagehand Sally Roberts, and designer Simon Rossiter about unions and associations and how they work to protect the rights of the theatre workers they represent. the conversation took place at Theatre Passe Muraille on September 21st, 2018.

The Bellows Toronto is a collective committed to fostering discussion about all issues concerning theatre production and has existed since 2015. The Bellows is Pip Bradford, Rebecca Hooton, Kevin Hutson, Christopher Ross, and Michael Kruse.

Please support us on Patreon.com

The Bellows: Unions and Associations
The Bellows

Bios

CHRISTOPHER ROSS

Christopher Ross has extensive experience as a technician, stage manager, and production manager. he has worked in most of Toronto’s independent theatres, and has been a venue technician for the Fringe Festival, the Next Stage Theatre Festival, and the Summerworks performance festival. he is currently the head technician of the Theatre Passe Muraille Backspace.

MEGHAN SPEAKMAN

Born in Hamilton, Ontario and raised in Jerseyville, Ontario, Megan now works in Toronto as a stage manager. Megan’s theatre credits include Animal Farm, A Moveable Feast: Paris in the '20s. , Oh What a Lovely War (Soulpepper), Stupidhead! (Theatre Passe Muraille); Outside (Roseneath Theatre); One Slight Hitch (Upper Canada Playhouse); Real Estate (Lighthouse Festival Theatre); Dib and Dob and the Journey Home (Manitoba Theatre for Young People); For a Good Time Call Kathy Blanchard (Outside Inside). Megan is a graduate of Ryerson Theatre School (Toronto).

SALLY ROBERTS

Sally is currently the head technician of the Downstairs Theatre at the Canadian Stage Company. She is a member of IATSE local 58, where she works as a live events technician specializing in electrics, lighting design and management. Sally started freelancing in the corporate AV and theatre worlds while studying performance production at Ryerson University. Since graduating, Sally has had the pleasure of traveling with The Tenors as the lighting designer on their "Lead With Your Heart" Tour of the US. She has also trained with Coalition Music to develop strong skills in live sound and tour management.

SIMON ROSSITER

Simon is a Toronto-based lighting designer who occasionally designs scenery. He has created more than one hundred and fifty original lighting designs over the last ten years for a diversity of theatre and dance companies throughout Canada, and is the lighting director of the annual Fall for Dance North festival at the Sony Centre and the Next Stage Theatre Festival at the Factory Theatre. He has received two Dora Mavor Moore awards for outstanding lighting design, is a graduate of the Ryerson Theatre School, and is a member of the Associated Designers of Canada.

#48 Siobhán Sleath by Michael Kruse

Special Pres: 1837 The Farmers' Revolt Panel Discussion by Michael Kruse

William Lyon Mackenzie (Matthew Gin), with help from his assistants Marcia Johnson (left) and Parmida Vand uses his magical deck of cards to explain the relationships in the Family Compact, in 1837: The Farmers’ Revolt at the Blyth Festival. Directe…

William Lyon Mackenzie (Matthew Gin), with help from his assistants Marcia Johnson (left) and Parmida Vand uses his magical deck of cards to explain the relationships in the Family Compact, in 1837: The Farmers’ Revolt at the Blyth Festival. Directed by Gil Garratt. Creative team: Beth Kates, set, projection and lighting designer; Gemma James Smith, costume designer; and Deanna H. Choi, sound designer and music composer. Production stage management: Heather Thompson and Katerina Sokyrko.. Photo credit: Terry Manzo.

A little palate cleanser for the end of the summer. On July 18 2018, at the Huron County Museum, Blyth Festival artistic director Gil Garratt and local historian David Yates sat down with moderator and film director Christopher Spaleta to talk about the history around Blyth's current production of 1837: The Farmers' Revolt. We talked about this play during the episode with designer Rachel Forbes and the production last year at the Shaw Festival. This is more of a historical discussion, rather than one about design, but it is still a great talk about politics and privation and standing up to government, a topic no less germane today than it was 130 years ago.

A special thanks to Beth Kates who coordinated and recorded this event, without whom this presentation would not be found here.

Special Pres: 1837 The Farmers' Revolt, A panel discussion
Michael Kruse Beth Kates

Bios

Gil Garratt

Gil Garratt is a director, playwright, dramaturge, Dora Award-winning actor, and theatre administrator who has worked across Canada and internationally. With a career that has been dedicated primarily to the development of new Canadian plays, Gil has been with the Blyth Festival since 1999.

Gil’s varied and eclectic career as a creator has seen him collaborate with such radical play creation companies as DNA theatre and The Cabaret Company, to such mainstream institutions as The Stratford Festival and The Grand Theatre.

As a performer Gil has literally worked all over the country, including: Theatre NorthWest in Prince George, BC, Centaur Theatre in Montreal, Canadian Stage’s St. Lawrence Centre in Toronto, Shakespeare in High Park, Neptune Theatre in Halifax, the Festival Players of Prince Edward County, Buddies in Bad Times in Toronto, the Royal Manitoba Theatre Centre in Winnipeg, and the National Arts Centre in Ottawa, to name a few.

Gil is also member of the Playwrights’ Guild of Canada, several of Gil’s plays have received multiple productions, toured internationally, and been translated into French.

David Yates

David is a 28 year history teacher currently at Central Huron Secondary School in Clinton.

Since 2007 his local history column has appeared in The Focus, Goderich Signal Star and other local papers. He is a past President of the Huron County Historical Society.

In 2014, he was a member of the Great Lakes Storm of 1913 committee which won the Governor-General’s Award for Community History Programming. Currently, he is a member of the Huron County and the Great War commemorative committee.

Christopher Spaleta

Christopher is a writer, actor  and director for independent film, television and theatre. He grew up in Goderich, studied English and Screenwriting in Ottawa, and lives with his wife Maria on a farm in Central Huron.  In addition to his duties on the Huron Arts and Heritage network board he is a member of the Rebuilding Oversight and Steering Committee for the reconstruction of the Square in Goderich.

 

#47 Gillian Gallow by Michael Kruse

Gillian Gallow. Photo by David Cooper.

Gillian Gallow. Photo by David Cooper.

Gillian Gallow was a designer right out of the gates. Before finishing her degree at York University, she was already assisting at the Stratford Festival, and had cut her teeth at our favourite summertime haunt: Blyth. Gillian and I discuss her early career and take on design, and her recent work on the Canadian Opera Company remount of the Harry Somers opera Lous Riel. Gillian and I spoke in July of 2017.

Please support us at patreon.com/thetitleblockpodcast 

Links

York University Theatre Program

The Oakville Centre

Jennifer Jansen

The Blyth Festival

Doug Morum

David Surette 

The Outdoor Donnelly's by Paul Thompson and Co.

Victoria Wallace

Lorenzo Savoini

The Stratford Festival

Peter Hartwell

Orpheus Descending directed by Miles Potter

Philip Clarkson and the Merchant of Venice

Paul Tazewell

Heidi Ettinger

Romeo and Juliet directed by Des McAnuff

Christina Poddubiuk

Thousand Islands Playhouse

Andrea Surich

The Graduate at The Grand Theatre London with Sonja Smits

Awake and Sing directed by Miles Potter

Joanna Billings, cutter

Susan Ferley

Michael Dobbin

Christopher Morris and Human Cargo

Michelle Ramsey

I Am Yours by Equity Showcase directed by Christopher Morris

The Royal Manitoba Theatre Centre

God of Carnage directed by Miles Potter in 2012

Brian Perchaluk

Steve Lucas

I Know and Feel That Fate is Harsh But I am So Loathe to Accept This by DNA Theatre run by Hillar Liitoja

The Road to Paradise directed by Christopher Morris at Buddies in Bad Times Theatre

Richard Feren

Peep Show

An Octaroon by Branden Jacobs-Jenkins adapted from The Octaroon by Dion Boucicault  ... at The Shaw Festival directed by Peter Hinton

Louis Reil by Harry Somers and Mavor Moore

About the Costume Design of Louis Riel

Louis Riel, Canadian Opera Company.Directed by Peter Hinton. Set Design by Michael Gianfrancesco, Costumes by Gillian Gallow, Lighting Design by Bonnie Beecher. Photo by Michael Cooper.

Louis Riel, Canadian Opera Company.Directed by Peter Hinton. Set Design by Michael Gianfrancesco, Costumes by Gillian Gallow, Lighting Design by Bonnie Beecher. Photo by Michael Cooper.

#47 Gillian Gallow
Gillian Gallow

Special Pres: PACT's Digital Dramaturgy by Michael Kruse

This time a special presentation that I happen to catch at the last minute about digital dramaturgy. The teleconference was recorded on April 25, 2018 as a presentation of the Professional Association of Canadian Theatre. The panel discussion is an result of an idea by the artistic practice committee of PACT and centres around the role and dramaturgy of projections in theatre. Designer Beth Kates and artistic director and playwright Gil Garratt from the Blyth Festival speak with Theatre Projects Manitoba artistic director Ardith Boxal and director, writer, and arts educator Health Davies about how to successfully integrate projection into a live theatre production.

PACT: Digital Dramaturgy
Beth Kates, Gil Garratt, Heather Davies, Ardith Boxal

 

Bios

Jeremy “Boomer” Stacey - professional development manager PACT

Jeremy “Boomer” Stacey, has been working on PACT PD since joining the office in 2010 – just in time to work on the Conference in Cow Head, NL. Aside from work in event production and professional development, Boomer also has a wide range of experience in international performing arts for young audiences. In addition to PACT he works as International Performing Arts for Youth’s (IPAY) founding Executive Director, works on the board of ASSITEJ Canada (Treasurer) and sits on the Pickering Rouge Canoe Club (Commodore). Prior work includes the Artistic Directorship of the renowned Milk International Children’s Festival of the Arts at Harbourfront Centre in Toronto. Boomer holds a BFA, visual arts, specializing in photography. He lives just outside Toronto with his wife, boy, girl, dog & cats and the occasional raccoon but has started the slow move to the cabin in the woods in Northern Ontario.

Beth Kates - designer

Beth Kates is an award winning Theatrical Lighting, Set, Costume and Projection Designer, Production Manager, and project consultant.  She is the co-Creative Director/Designer of Playground Studios a design firm she started with partner Ben Chaisson that is dedicated to creating new spaces, re-inventing the use of traditional and non-traditional theatre spaces, as well as producing original work and offering a full spectrum of design and project management services. 

Her work in rock and roll, dance, theatre, opera, and photography has taken her across Canada, the US, UK, Europe, New Zealand and Australia.  Career highlights include Lighting Design: Spurt of Blood and Miinigoowezewin (Banff Arts Festival), Anaconda (Tangent Montreal), the Dora Award winning Music For Contortionist (Shaw Festival and Tarragon Theatre), and numerous works by choreographer Learie McNicols.  Set Design for the award winning production of Assassins directed by Adam Brazier; Production Design for: the world premiere of Judith Thompsons’s Such Creatures directed by Brian Quirt, LuminaTO/Tapestry New Opera Works’ epic oratorio Dark Star Requiem directed by Tom Diamond, and Julie Tepperman’s Yichud (Seclusion).   Yichud was an extensive design that required re-imagining the use of the traditional theatre space to allow the whole building to be converted into a realistic Orthodox Jewish Synagogue.

Beth’s work as a Projection Designer began in 1995, and over the years she has become a self taught Video Editor, Videographer, Photographer, Graphic Designer, and Animator in order to facilitate the creation of various projects. As the Resident Production Designer for WYRD Productions, she has created designs for Slightly Bent, MacHomer, Into The Ring, Bigger Than Jesus, and HARDSELL.  Bigger Than Jesus earned Beth the 2005 Dora Award for Outstanding Lighting Design. In 2009 she, along with husband Ben Chaisson, was nominated for the prestigious Siminovitch Prize in Theatre. Beth and Ben were also recently cited as one of Toronto’s Top Ten Theatre Artists by NOW Magazine.

Gil Garratt - artistic director, The Blyth Festival

Gil Garratt is a director, playwright, dramaturge, Dora Award-winning actor, and theatre administrator who has worked across Canada and internationally. With a career that has been dedicated primarily to the development of new Canadian plays, Gil has been with the Blyth Festival since 1999.

Gil’s varied and eclectic career as a creator has seen him collaborate with such radical play creation companies as DNA theatre and The Cabaret Company, to such mainstream institutions as The Stratford Festival and The Grand Theatre. As a performer Gil has literally worked all over the country, including: Theatre NorthWest in Prince George, BC, Centaur Theatre in Montreal, Canadian Stage’s St. Lawrence Centre in Toronto, Shakespeare in High Park, Neptune Theatre in Halifax, the Festival Players of Prince Edward County, Buddies in Bad Times in Toronto, the Royal Manitoba Theatre Centre in Winnipeg, and the National Arts Centre in Ottawa, to name a few. Gil is also member of the Playwrights’ Guild of Canada, several of Gil’s plays have received multiple productions, toured internationally, and been translated into French.

Gil graduated from the National Theatre School’s Playwriting Program in 1998, holds an Honours BA from the University of Waterloo, and an MA from the University of Guelph.

Ardith Boxall - artistic director - Theatre Projects Manitoba

Artistic Director Ardith Boxall is an actor and director. In 2005, after a year as associate artist, Ardith was appointed the Artistic Director of Theatre Projects Manitoba, a company dedicated to new plays and the development of local artists. Prior to this, she worked primarily as a freelance actor for stage, film and television, a drama instructor, and was an emerging director. A graduate of the University of Winnipeg with an honours degree in Theatre and Drama, Ardith continued her studies at the National Voice Intensive at Simon Fraser University, and mentored in directing under several of Manitoba’s finest theatre practitioners.

Since the company’s founding by Harry Rintoul and members of the community in 1990, Ardith has maintained strong ties with Theatre Projects. Several acting, assistant directing and directing credits at TPM over the years have reinforced the need to preserve the Company as a professional theatre for artists in our region. Selected TPM credits include Ce Weekend la, Live With It, I Do…Do You? The Monster Trilogy, Age of Arousal and three instalments of In the Chamber (2006, 2007 and 2009).

Heather Davies - director, writer, educator

Heather Davies was born in Winnipeg, Manitoba and grew up in Toronto, Ontario. She's trained as a dancer, singer, actor and musician and has worked professionally since her teens. Heather moved to the UK to continue her actor training; she lived and worked in theatre there for 18 years. In 2001 she began focusing on directing full-time when she joined the Royal Shakespeare Company as a resident director, working there for nearly three years. She returned to Canada in 2007 to attend the MFA- Theatre program at York University, graduating in April 2009. From September 2009 to February 2011 she was the Artistic Associate at The Grand Theatre in London Ontario. She continues to enjoy directing, writing, teaching and adapting in the UK and across Canada. Highlights of 2017 included becoming the first Artistic Director of The Ryga Festival, (inspired by renowned Canadian writer, George Ryga) in Summerland, BC and directing Colours in the Storm at the Grand Theatre in London, Ontario. In 2018, as well as returning to Summerland, Heather's stage adaptation, Judith: memories of a Lady Pig Farmer, (original novel, Judith, by Alberta writer Ardith Van Herk), will premiere at the Blyth Festival. Other projects in development include Silverfish (an original play about economic migration) and the stage adaptation of Night Desk, (novel by George Ryga). She is represented by Ian Arnold at Catalysttcm.com Email: ian@catalysttcm.com

#46 Andrea Lundy by Michael Kruse

When I was starting in the 90's Andrea had all the work. She was connected to all of the most interesting theatre companies in Toronto and had production managed many of them. I envied her for getting their first, for having the ability to get into the middle of the most interesting creative work, but that was not the whole story. Andrea is a brilliant artist, she learned her craft while working with iconic Canadian theatre artists like the Daniels - Daniel Brooks and Daniel MacIiver, she was a part of the re-invention of alternative theatre in Toronto with the Poor Alex theatre and the companies surrounding it, with the fringe and with summer works - and most importantly, she fostered and trained a generation of theatre artists that themselves became top artists in their own right, like Rebecca Picherack and Michelle Ramsey. Now she runs one of the most important training programs in Canada for English theatre production The National Theatre School in Montreal

I had a sublime conversation with Andrea about her career, training and philosophy of design as well as the changes she has wrought at NTS during her 6 year tenure. This is an important conversation. 

Links

Theatre 2000, Penguin Theatre, and Great Canadian Theatre Company

The Real Inspector Hound, by Tom Stoppard

University of Toronto, Drama Dept.

Helen Gardner Phalen Playhouse (Nee UC Playhouse)

Glen Davidson

Yanna McIntosh

Jeanne LeSage

Alison Petty

Alison McMacken

Theatre Columbus

Dr. Dappertutto, at The Poor Alex

Twelfth Night at  The Poor Alex

Theatre Smith-Gilmore

Crow's Theatre

Nightwood Theatre

Leah Cherniak and Martha Ross

The Lorca Play, at Da Da Kamera

Danial Brooks

The Toronto Fringe Festival

The Edmonton Fringe Festival

Gregory Nixon

Sneaky Dee's on Bloor St.

The Transac Club

The Annex Theatre

Unidentified Human Remains and the True Nature of Love, by Brad Frasier

Mump and Smoot

Theatre Passe Muraille

Urban Donally's

Romeo and Juliet by Die in Debt, under the Bathurst St. bridge

Sarah Stanley

Troy Hansen

Minda Johnson

Oedipus Rex by Die in Debt.

Nan Sheppard

Susan Serran

David Bale

Jacoba Knaapen

Hillar Liitoja and his DNA Theatre Production of Sick

Urjo Kereda

Nathaniel Kennedy

Tarragon Theatre

Roger West

David Hoekstra

Here Lies Henry, by Daniel MacIver

Buddies in Bad Times Theatre

Designated Mourner

Faust by Daniel Brooks

Half-Life by John Mighton directed by Daniel Brooks

Possible Worlds, by John Meighton, directed by Daniel Brooks

Julie Fox and Michael Levine

Attic and the Pearls and Three Fine Girls by Ann-Marie MacDonald

Alisa Palmer

Dany Lyne

Leah Cherniak

Steve Lucas

John Kelly Cuthbertson

Goodnight Desdemona, Good Morning Juliet, directed by Alisa Palmer, starring Anne Marie MacDonald at Canadian Stage

Maria Popoff

Charlette Dean, Sue LePage

The white carpet show: Liquor Guns Karate designed by Sue LePage

Kaftka and Son, starring Alon Nashman

The Shaw Festival's Old Ladies by James MacDonald

Richard Greenblatt

Therac 25, directed by Jordan Peddle

I, Claudia, by Kristen Thomson

Phaedra, at Soulpepper, directed by Daniel

Soheil Parsa

Stories From the Reign of Love and Death

Artword Theatre

Necessary Angel

Side By Side By Sonhiem directed by Richard Ouzounian

National Theatre School, English section

Norberts Muncs

Lesley MacMillan

Micheline Chevrier

Peter Roberts

Luminato Festival

Chris Abraham

#46 Andrea Lundy
Andrea Lundy

 

  

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The Bellows: Stage Management for Smarties by Michael Kruse

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This time on the panel, finally a conversation of the crew/creative members who keep the entire machine together communicating from early days of workshops through the grueling tech-week and then single-handedly corralling all of the artists together to perform the same great show (if you'r luck) over and over again.  Stage managers are experts in communication, project management, social psychology and most have an absolute obsession about what is the best post it note.  And of course us designers could not do what we do with them.

The Bellows is a monthly discussion about the nitty gritty of theatre production and is comprised of Pip Bradford, Rebecca Hooton, Kevin Hutson, Christopher Ross, and Michael Kruse.

NOTE: This file was originally rendered with some channels on mute (!). It has now been re-rendered properly. Our apologies for the sound problem!

The Bellows: Stage Management for Smarties
The Bellows

 

Bios

Erika Morey

Erika Morey is a Canadian stage manager who was born and raised in Moncton, New Brunswick, but is now based out of Toronto. In the city, she has worked for companies like Theatre Passe Muraille, Factory Theatre, Young People’s Theatre, Modern Times Stage Company, Theatre Gargantua, the Toronto International Film Festival, and Tarragon Theatre. She’s also a veteran of the Ontario summer stock scene, and often finds herself in very glamourous tiny towns such as Gananoque, Kincardine, Collingwood, Orillia, Port Dover, Port Colborne and Port Stanley.

Tara Mohan

Selected Credits: Avenue Q (Lower Ossington Theatre), Chatroom & Citizenship(Toronto Youth Theatre), 7th Annual Showcase (Outside Looking In), Dora’s Pirate Adventure (Lower Ossington Theatre), Unleashed 2014 (George Brown Dance), ASM for Acceleration 2014 (The School of Toronto Dance Theatre), Silent Voices(Dancetheatre David Earle), Project L (Human Body Expression), Arkemy (Gadfly), Toronto Urban Dance Symposium (Gadfly), Camila’s Bones (Maloka Theatre), ASM for Yonge-Dundas Stage (Toronto Pride), 6th Annual Showcase (Outside Looking In), Aforismo (Gadfly), Assistant Stage Manager/Metcalf Foundation Intern for Toronto Dance Theatre’s 2012/2013 Season.
About: Tara is a professional stage manager and is pleased to be working with Hart House Theatre for the first time
 

#45 Alan Brodie by Michael Kruse

Alan Brodie, photo by David Cooper

Alan Brodie, photo by David Cooper

Alan Brodie is a lighting and set designer based in Vancouver B.C. I caught up with him during my visit to the Shaw Festival in May of 2017.  We speak about the early 90's in vancouver and the changes that have taken place there over the last 30 years. We continue the story of the Phantom of the Opera tour that is legendary in Canadian theatre history and Alan recounts his rise to the top of design in Canada.

Links

University of British Columbia - Theatre Dept.

Pacific Northwest Music Festival in Terrace BC

Niagara College theatre production (now defunct)

Bonnie Beecher

Banff Centre for the Arts

Adrian Muir

Crystal Pite

Kim Collier

Ian Arnold

Doug Welch built DWD Theatre Design

Vancouver Opera

Queen Elizabeth Theatre

Move Ent

Dance Training Program at Banff

National Ballet of Canada

Pacific Northwest Ballet in Seattle

Plot Point at Netherlands Ballet

Emergence, by Crystal Pite from Alan's Portfolio

Ubu the Musical, from Ubu Roi

Tom Montvilla

Kevin Lamotte

La Tragedie de Carmen, Peter Brook's Carmen

Phantom of the Opera, Canadian tour by Livent

Rob Bosworth

Ruthie Mitchell

Showboat, by Livent

Joseph and the Technicolour Dreamcoat by Livent

Ragtime, by Liveent

Jeff Hyslop

Heidi MacDonald nee Lingeren

Andrew Bridge

Maria Bjornsen

Sunset Boulavard, by Livent

Semaphore colour changers

Strand LP90

Vivian Leone on InOne Podcast

Garth Drabinski

The Last of the Mohicans, the Musical

Vari-Lites

Artisan Console

SMPTE time code

Full House Theatre collective aka Bard On the Beach

Christopher Gaze

Vancouver Shakespeare Festival, aka Bard on the Beach in Vanier Park

Vancouver Children's Festival

Mara Gottler

Theatre Calgary

The Belfry Theatre

Michael Shamata

The Royal Manitoba Theatre Centre

The Overcoat, by Morris Panych (not to be confused by the new Morris Panych opera The Overcoat: a Musical Tailoring) Choreographed by Wendy Williams

Dr. Jekyll and Mr. Hyde by Canadian Stage

Red at Canadian Stage

The Company at Studio 58, by Morris Panych

Glynnis Leyshan

Ken MacDonald

Leslie MacMillon

Bob Ashman, director of photography

CBC Radio Orchestra

SARS outbreak and the cultural sector in Canada

The Barbican Centre

The Shaw Festival

Vancouver Opera

Sholem Dolgoy

Michael Whitfield

Harry Frehner

Guy Simard

Rob Thomson

Philip Cygan

The Lady's Not For Burning, directed by Christopher Newton

Detective Story, directed by Neil Munro, designed by Cameron Porteus

Jackson Pollock

Coronation Voyage, design by Ken MacDonald

Sweeney Todd, at the Shaw Festival

Hotel Pecidillo, by Morris Panych

Ah Wilderness, directed by Jo Zeigler

Summer and Smoke, directed by Neil Munro

Oklahoma, at Stratford Festival

Moby Dick and Wanderlust, by Morris Panych

Tear the Curtain by Kim Collier

Max Reimer at the Vancouver Playhouse

Theatre Aquarius

Huron Country Playhouse

Knee-High Theatre Company

Noel Coward's Brief Encounters, based on Brief Encounters Film

La Ronde

Little Mercy's First Murder, by Touchstone Productions in Vancouver

Little Mercy's First Murder, from Alan's Portfolio

Landscapes of the Dead and from Alan's Portfolio

Godspell, directed by Sarah Jean Hosie

Sean Nieuwenhuis, projection designer

A Little Night Music by Patrick Street Productions

Dracula at the Shaw Festival

Sea of Stories, White Rock, BC for Canada 150

2010 Paralympic Winter Games in Vancouver Opening Ceremonies

Rob Sondergard and Electric Aura

Cam Davis

Michael Gianfrancesco

ALD Pro and Lightwright

WYSIWYG by CAST Software

Dracula at The Shaw Festival 2017

#45 Alan Brodie
Alan Brodie

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Bellows: Trash vs. Treasure by Michael Kruse

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On this episode of The Bellows our trusty moderator Kevin Hutson talks with Ian Garrett and Ryan Wilson about what do do with that old set or how to build a more sustainable design. This installment of the monthly production panel discussion was recorded at the Wychwood Barns in Toronto on Oct 24 2017.

The Bellows is Pip Bradford, Rebecca Hooton, Kevin Hutson, Christopher Ross, and Michael Kruse.

The Bellows Trash Vs Treasure
The Bellows

 

Bios

Ian Garrett

Ian Garrett  is Associate Professor of Ecological Design for Performance at York University; is director of the Center for Sustainable Practice in the Arts, a US think tank on sustainability in arts and culture; and is the resident designer for the Indy Convergence, an arts accelerator in Indianapolis, Toronto, and Haiti. He is a member of the Performance Studies International Performance+Design Working Group and is the Curator for the US for the 2019 Prague Quadrennial. He maintains a design practice focused on the integration technology and scenography. He was executive producer for Transmission at the FuturePlay Festival in Edinburgh and Future of Storytelling Festival in New York. Other recent creative interactive projects include Theatre Panik's durational performance, Peep, at Scotiabank Nuit Blanche; Erika Batdorf's Micro-theatre for Burnish at the Theatre Centre and Venice Biennale, the set and energy capture systems for Zata Omm Dance Projects’ Vox:Lumen at the Harbourfront Centre, and the geolocated Silo No. 5 on Maria Island, Tasmania. He has worked on installations such as DTAH Architects’ Ravine Portal and on the lighting team for the Crimson Collective’s Ascension, a 150’ wide, origami-style crane sculpture at the 2010 Coachella Music Festival. He serves on the Board of Directors for Associated Designers of Canada.

Ryan Wilson

Ryan Wilson is a passionate artist whose talent, collaborative spirit and work ethic have earned him praise from his peers. Currently the head scenic carpenter at Young People’s Theatre (Toronto), he has worked at numerous theatre companies, including Soulpepper Theatre Company (Toronto), fu-GEN Asian Canadian Theatre Company (Toronto), Factory Theatre (Toronto) and Globe Theatre (Regina, Sask.). As a freelance production manager/technical director at fu-GEN Asian Canadian Theatre Company, Wilson worked on four productions: Ching Chong Chinaman (2013), Brown Balls (2011), lady in the red dress (2009) and Banana Boys (2008). Ryan Wilson graduated with a Bachelor of Fine Arts from Ryerson University’s Theatre School in 2007.

#44 Ken MacDonald by Michael Kruse

Photo by Joy von Tiedemann

Photo by Joy von Tiedemann

Ken MacDonald went from teaching drawing and painting at high school in the 1970's to one of the most sought after theatre artists in Canada today. His artistic and personal partnership with Morris Panych has resulted in some of the most iconic Canadian theatre productions, including the international sensation The Overcoat.  Ken and I spoke in May of 2017 at his home in Toronto.

In the opening rant I reference this interview that appeared on CBC Metro Morning, regarding the civil suit brought against now former artistic director of Soulpepper Theatre Albert Schultz. 

Please support the show at Patreon.com

Links

University of British Columbia, Art Education

Gordon Smith

Sam Black

MUSSOC UBC Musical Theatre Society

Sheila McCarty

Don Shipley

Patty Armstrong and the The Belfry Theatre

Danny Costein

Puttin' On The Ritz, at The Belfry Theatre

Puttin' On the Ritz, at the Shaw Festival

Cameron Porteus

A Day in the Death of Joe Egg by Peter Nichols

Piaf by Pam Gems at The Belfry

Dames at Sea Directed by Glyis Leyshon at The Belfry

Da by Hugh Leonard with Denis Arndt at The Belfry

Private Lives by Noel Coward at The Belfry

Canadian Gothic, American Modern by Joanna Glass at the Belfry Theatre

A Thousand Splendid Suns at ACT in San Francisco, by Khaled Hosseini

The New Play Centre in Vancouver, Artistic Director Pamela Hawthorn

Tamahnous Theatre

Haunted House Hamlet, by Peter Eliot Weisse

Festival TransAmeriques in Montreal

Sleep No More by Punchdrunk

Morris Panych

Last Call, a Post-Apocalyptic Musical

Sue Astley, director

Vancouver East Cultural Centre, The Cultch

CBC Special of The Last Call

The Last Call at The Globe Theatre, with Patrick McManus and Alan Moon, designed by Deeter Shurig

Chris Thomas and Lucy Peacock

David Sereda

Don Williams, producer for CBC

Ukrainian Labour Temple, Thunder Bay - this is most likely the Finnish Labour Temple, but could have been the Ukrainian Labour Temple in Winnipeg, where Don Williams was based. 

Rene Simard

Adelaide Court Theater, Toronto

Cheap Sentiment, Tamahnous Theatre

Simple Folk, Songs of a Generation (1987)

Babz Chula, a la Mary Travers

John Forrest, bass player

Odessa, Russia

The Berlin Wall, and East Berlin

Wolfgang Kolneder, director (translate from the German)

Key (Floor) Ladies in Russian Hotels

Langara, Studio 58, Pam Johnson, resident designer, Bruce Kennedy, Technical Director, Katherine Shaw, artistic director

Glynis Layshen

Green Thumb Theatre

Ken McKenzie, designer

Eugene Lee, designer of Oklahoma

Michael Eagan  (not interviewed yet :) )

Michael Levine, designer

Christina Podubiak, and Scott McEwean

Amedeus, at Canadian Stage

Parfumerie at Soulpepper

Picture This, by Morris Panych and Brenda Robbins at Soulpepper

Barber of Seville, Quebec City

Gaudi and Frank Gehry

You Never Can Tell, at the Shaw Festival

The Cost of Living, by Morris Panych

Vigil, by Morris Panych with Alan Williams

7 Stories, by Morris Panych

The Overcoat, by Morris Panych

The Waiting Room, by Morris Panych, about Spirit of The West's John Mann

The Banff Centre for the Arts

Urjo Kereda

The Tarragon Theatre

Margaret Barton

Vigil at the National Theatre of Japan in Tokyo

Vigil at Wyndham's Theatre in London, UK (debuted under title Auntie and Me)

Vigil with Olympia DuKakis at ACT in Los Angeles

Vigil with Brent Carver and Martha Henry

Vigil with Morris Panych and Jenny Phipps

Magrite, dadaism

Peter Anderson

The Barber of Seville, Pacific Opera

This Fabulous Century Series of books

Madness of King George III, at the Shaw Festival

Our Town, directed by Molly Smith at The Shaw Festival

Chopin's Nocturns

The Overcoat, a musical tailoring

Wendy Gorling, choreographer

Kurt Gödel and Shostakovich

Moby Dick with Debussy at The Stratford Festival

The Barbican, London

The Overcoat, on CBC television

Alan Brodie, lighting designer

John Mann and Spirit of the West music videos

Earshot, by Morris Panych, starring Randy Hughson

The Imaginary Invalid, by Moliere

Leslie MacMillan

The fall of the Vancouver Playhouse

Wayne Reierson, propmaster at Shaw

Donna Hrabluk, former propmaster at Shaw

Company, by Theatre 20

The Dishwashers

Trapdoor, by Anika and Brita Johnson

Sovereignty, at The Arena Theatre in Washington

2000, by Joan Macleod

Sweet Charity at the Shaw Festival

OCAD Designer: Shannon Lea Doyle

French Painter Raoul DuFy

#44 Ken MacDonald
Ken MacDonald

The Bellows: Contracts and Fees 2 by Michael Kruse

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Another installment of the Bellows for this episode. This is a compliment to the previous episode on Contracts and Fees we did earlier in 2017. This time with production manager Erin Birkenbergs and producer Sue Balint. This covered areas we did not have a chance in the last episode and I am sure you will learn even more from this discussion. The Bellows was recorded on September 23 2017 at Theatre Passe Muraille in Toronto. As normal, the panel discussion was moderated by Kevin Hutson and hosted by Christopher Ross.

The Bellows Contracts and Fees 2
The Bellows

 

Bios

Erin Birkenbergs

Erin studied theatre at York University, and has spent the past three seasons as Factory Theatre's Production Manager in Toronto. Previous to that she was a Freelance Production Manager and technician for theatre, opera and dance. Selected credits include:  opdog/Underdog, Ruined (Obsidian Theatre); Window on Toronto (Soulpepper); The Story (Theatre Columbus); The Mill Parts 1-4 (Theatrefront); A Synonym for Love (Volcano Theatre); The Test (The Company Theatre); Turn of the Screw (Against the Grain Theatre); Svadba - Wedding (Queen of Puddings Music Theatre); La Calisto (Glenn Gould School of Opera). 

Sue Balint

Sue has been working in arts management for the past decade, acting as producer for Modern Times Stage Company for several seasons, and for Theatrefront’s Dora award-winning play cycle, The Mill (Parts 1-4). She has also worked with visual artist/architect Philip Beesley, and most recently served as producer for SummerWorks’ Progress festival and Aluna/Modern Times’ co-production of Blood Wedding (Bodas de Sangre). Sue holds degrees in Theatre and Religion (Queen’s University) and Journalism (King’s College).

 

#43 Rachel Forbes by Michael Kruse

Rachel Forbes, photo by David Cooper.

Rachel Forbes, photo by David Cooper.

I caught up with Rachel Forbes just before the opening of 1837: The Farmer's Revolt at The Shaw Festival in May of 2017. We discuss choice of going into theatre and the beginnings of what promises to be a long a fruitful career in theatre. 

Links

Ryerson School of Performance (Nee theatre school)

Videocaberet

Hooray for Johnny Canuck

Obsidian Theatre Company

Michael Gianfrancesco

Astrid Dora Janson

Soulpepper

Weyni Mengesha

Djanet Sears

 1837: The Farmers Revolt, Shaw Festival. LD: Steve Lucas, Director: Philip Akin, Actor: Sharry Flett

 1837: The Farmers Revolt, Shaw Festival. LD: Steve Lucas, Director: Philip Akin, Actor: Sharry Flett

How Black Mothers Say I Love You, Factory Theatre Dir: Trey Anthony, LD: Steve Lucas, Actor: Khadijah Roberts-Abdullah

How Black Mothers Say I Love You, Factory Theatre Dir: Trey Anthony, LD: Steve Lucas, Actor: Khadijah Roberts-Abdullah

Episode #43 Rachel Forbes
Rachel Forbes